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  • LOCATION

    London, UK

  • CATEGORY

    Offices

  • ARCHITECT

    TP Bennett

  • PHOTOGRAPHY

    Chelsea lighting

A 6-metre high cascade of Gregg lamps welcomes visitors to the historic headquarters of the Holman Fenwick Willan consulting firm in the heart of London. The volumes of the lamps are repeated in a vortex of light with a near-aquatic glow, which emphasises the impressive height of the semicircular glazing. Their free arrangement adds character, breaking the linearity of the building.

  • LOCATION

    Madrid, Spain

  • CATEGORY

    Offices

  • ARCHITECT

    Stone Design

  • PHOTOGRAPHY

    Alberto Monteagudo

The Coca Cola headquarters in Madrid welcomes visitors with the colourful triptych of lamps from the Chouchin collection, projecting direct light onto a large dining table, the heart of the space. The casual, lively ambiance puts colour at the centre of the scene, blending in with the intense hues of the Chouchin lamps, pure contemporary creations made from painted blown glass.

  • LOCATION

    Milan, Italy

  • CATEGORY

    Offices

  • ARCHITECT

    Studio Andrea Castrignano

  • PHOTOGRAPHY

    Matteo Cirenei

In the interior design project of Telecom Italia offices, dominated by pale colours in shades of grey and white, Aplomb lamps are the perfect fit. In the reception, the textured appeal of grey concrete is combined with the particular effect of the walls, while in the reception areas, compositions in shades of grey, white and brown create impactful clusters of light.

  • LOCATION

    Beijing, China

  • CATEGORY

    Offices

  • ARCHITECT

    MDDM Studio

  • PHOTOGRAPHY

    Jonathan Leijonhufvud

White surfaces, semi-transparent polycarbonate panels and colourful accents distinguish CWITM’s Beijing office, located in an old textile factory within a creative complex. The Uto and Twiggy lamps stand out as key features, introducing touches of colour into the neutral setting and matching the colour palette selected by the designer.

  • LOCATION

    Oldebroek, The Netherlands

  • CATEGORY

    Offices

  • ARCHITECT

    Nathalie van Duinen – Interiorboost

  • PHOTOGRAPHY

    Lisette Vossebelt

Industrial style rendered both elegant and welcoming thanks to the warmth of the large wooden tables and the lighting choices. The surface distinguished by fake dents of the Bump dome-shaped lamps illuminates work spaces with contemporary styling.

  • LOCATION

    Marcon, Italy

  • CATEGORY

    Offices

  • PHOTOGRAPHY

    Gianluca Vassallo, Francesco Mannironi

The clean-cut shape and the warmth of the wood make Troag multifarious and suitable for both domestic and working environments. The superior light performance levels make it the perfect choice for Foscarini’s HQ offices, where the suspension lamps light the desks. In common areas, light decorates with dramatic cluster compositions of Buds, Chouchin, and Plass—or on the wall with Bahia and Bahia Mini. The first floor, renovated in 2023 on a project by Massimo Curzi, integrates elements of urban and natural inspiration, emphasizing natural lighting. The dark tone of the circulation spaces enhances the color of the internal green islands, while the iconic Twiggy add vibrancy with their colors. In meeting rooms, Spokes plays an essential role, with its direct illumination on the table top while simultaneously diffusing a pleasant ambient light upwards.

The first floor, renovated in 2023 on a project by Massimo Curzi, integrates elements of urban and natural inspiration, emphasizing natural lighting. The dark tone of the circulation spaces enhances the color of the internal green islands, while the iconic Twiggy add vibrancy with their colors. In meeting rooms, Spokes plays an essential role, with its direct illumination on the table top while simultaneously diffusing a pleasant ambient light upwards.

  • LOCATION

    Zurich, Switzerland

  • CATEGORY

    Offices

  • ARCHITECT

    Evolution Design

  • PHOTOGRAPHY

    Peter Wurmli

At Google’s offices in Zurich, Foscarini lamps blend in seamlessly with an informal and dynamic setting characterised by colourful furnishings, where round volumes and square silhouettes come together. The Gregg suspension lamps, uniquely positioned in the reception area, play with different sizes and heights, standing out with their characteristic organic white volume against the concrete wall that serves as the backdrop to the reception.

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