We are convinced that method and rigor (key project words) can be found in all things: in an object, of course; in a work, obviously; in a building, undoubtedly; but also in the preparation of food, the organization of a voyage, the writing of a story. So we have imagined that it might be possible to create a place in which to gather and put into order all these actions, a container we have called “Inventario” because taking an inventory is the best, most effective way to decipher what we have before us. “Inventario” is our way of looking at the world. “Inventario” is not just a magazine, “Inventario” is not just a book. “Inventario” is a new publishing project that talks about all the disciplines that run on creativity. “Inventario” gathers and puts into order new forms of expression, organizing and structuring them by category, typology, author and original leitmotivs. “Inventario” is composed only of columns, boxes “designed” to convey content precisely sought and organized in a certain way, and only in that way, because they are observed in a certain way, and only in that way. (…). In all this, we will always and above all make free choices, based only on the force of the ideas we come across, the ones capable of lighting up our eyes. Because putting ideas into order is also a project. Inventario is an independent publishing project, in which Foscarini is present only at the opening and closing of the issue, in the interpretation of an ever-changing photographer. In the first issue we find the artistic gaze of Massimo Gardone who interpreted Le Soleil by Vicente Garcia Jimenez and Twiggy by Marc Sadler.