“But couldn’t you do it another way? – Bruno Munari always asked. Yes, things can always offer another point of view and you can always imagine the opposite” explains Beppe Finessi, introducing the contents of this issue. “On our part, here at Inventario, every day we try to calibrate our tools, read columns, to be better apprised of what is going on around us: this time, with ‘Sequenze’, we are trying to read the influences and affinities between fashion, art and design in one go, as in a film; with ‘Specie di Spazi’ we are discovering other ways, which are experimental and extreme, to think about the architecture of interiors; with ‘Altri Casi, Altre Case’(Other Cases, Other Homes) we are staring wide-eyed at the mocking and enigmatic hypotheses for another domestic culture.” The columns introduced in the first two issues remain, including “Nuovi Maestri” (New Masters) , with a lengthy interview with Paolo Ulian, “Accoppiamenti giudiziosi” (Judicious pairings) which reveals the relations between design and art, an astounding collection of everyday objects by Michele Provinciali for the “Normali Meraviglie” (Normal Wonders) column, whereas in “Vite come Progetto” (Life as a Project) we are curious to read the story of W. Reginald Bray, the man who challenged the efficiency of the English postal service and managed – successfully – to send himself. Inventario is an independent publishing project, which does not talk about Foscarini but is the spokesperson for the values and ambitions of its DNA. The collection is present only at the opening and closing of the issue, interpreted each time by a different photographer, as a wish for a good reading. In the third issue of the magazine it is the turn of Moreno Gentili who interprets the Aplomb and Gregg outdoor lamps.