In the pages of INVENTARIO, the stream of thoughts, objects and images unfolds in the usual columns. Beppe Finessi explores the multiple possibilities of meaning that space can assume in “Bounces”, while in “Other Gazes” Roberta Valtorta explores Robert Frank and his photography. In “Temporalia”, Chiara Fauda Pichet focuses on overcoming fractures, an idea with a strong symbolic value. The reflection continues in “Species of Spaces”, where Matteo Pirola and Gianni Faraci describe the “Grande Cretto” of Gibellina by Alberto Burri. For “Absolutes”, Andrea Anastasio chooses Mona Hatoum and her “Map”, an atlas of the world made of glass beads that inspires a reflection on freedom and power, while Paolo Bocchi proposes “Tutto Cambia”, a carpet by Bruno Munari with combinations of coloured shapes and threads left free to move. Lorenzo Damiani is interviewed by Marco Romanelli in “New Masters”, while guitars are at the centre of Giulio Iacchetti’s “Short Notes”. Corrado Levi presents Franco Albini’s “Veliero” bookcase, while Maria Elisa Cecchi dedicates “Normal Wonders” to Amalia Pica. Manolo De Giorgi’s column “Hues”, which was launched in issue 13, continues with a selection of works, objects and spaces in green. The images that open and close issue no. 14 of Inventario are by the Belgian photographer Katrien De Blauwer, who surprises us with the results of the application of her particular visual language to the narration of the lamps Bahia and Fields from the Foscarini collection. The “photographer without a camera” works with the collage technique to represent things not as they are but as we see them.